Showing posts with label Five O'Clock Shadow. Show all posts
Showing posts with label Five O'Clock Shadow. Show all posts

Tuesday, February 19, 2008

Five O'Clock Shadow

Light And Shade Under A Tropical Sky

Photograph copyright: DAVID McMAHON


This was a strange moment, but I'm so glad I followed my instincts. I had spent most of the day in Singapore shooting different aspects of the city under a sullen tropical sky. Twice the heavens opened and twice I had to take shelter, away from the streets, to protect my precious camera. Late in the evening I made my way to the area known as Little India and as I walked through an arcade, the sun scythed dramatically through the clouds for a few brief moments.

The rich shadows on this mustard-coloured wall intrigued me. It was as if the scene had taken on a personality of its own and was inviting me to capture the rich mix of dappled and strong horizontal shadows. I don't know who the person was, leaning languidly against a wall. But he was a perfect counterpoint for the bright paintwork on the mailbox that was at arm's length away from him.

I was still separated from him by an entire street-width. Would I wait? Would I start shooting? The sun ebbed, as if it were teasing me. The man and the mailbox were practically the same height, a perfect counterpoint to each other. There was always the danger that he would change position or walk away - and the shot would be lost forever.

The sun returned and I swung the camera up quickly to shoot three frames before the clouds obliterated the sun entirely. But there was a busy street in front of me. A taxi appeared in one frame, a car in another. This one had just what I wanted. Just lucky.

Friday, November 23, 2007

Five O'Clock Shadow

No Room For Shady Characters

Photograph copyright: DAVID McMAHON


While the rest of the world gets colder, the weather is getting hotter here as we move closer to summer. As the mercury rises and the days get longer, there are great shadows just waiting to be photographed. This sight stopped me in my tracks, because the triangular shadow on this metallic wall was a perfect foil for the horizontal lines which cast miniature shadows of their own.