
The more you carry a camera around, the more your brain starts to work through the viewfinder. So when I walked downriver at Southbank recently, I could see these two workers devoting their attention to the large outdoor carousel at Freshwater Place - but I only glanced at them and then flicked my gaze away to the myriad sights around me.
But as soon as I saw one of them climb a ladder and put his torso through an inspection hatch, I knew I had an unusual shot. I was still a long distance away from them, but I was lucky I had my 300 mm lens on the camera.
To me, the quality of the shot lies in simple body language. The very fact that the bloke's knees are flexed slightly and that his shoes are not entirely flat on the top rung of the ladder suggest that he is not perfectly balanced. Once you take that into account, you begin to understand why his colleague on the left has that open-mouthed look of concern.
It's the one time you wouldn't say to a bloke on a ladder, "Drop in any time".
(The Odd Shots concept came from Katney. Say "G'day" to her.)


